Queen Elizabeth I’s stark white-painted face and daring purple wig stays a part of her legacy, even centuries later.
“It wasn’t one thing that wasn’t written into the script and one thing I wasn’t actually anticipating when signing on for the position, however I used to be excited by the prospect,” Robbie, 28, tells PEOPLE on this week’s concern of embracing Elizabeth’s hanging type. “It helps me rather a lot to discover a character if I look utterly totally different to how I look in actual life. It makes my appearing job a lot simpler.”
As for why Elizabeth sported such an unnatural look, it was a results of her coming down with smallpox in 1562. Elizabeth almost died from the illness, and her pores and skin was scarred from the sickness, so she lined the pockmarks with heavy white make-up manufactured from white lead and vinegar, which slowly poisoned her over time.
“When your pores and skin isn’t at its finest, while you’ve received a breakout, you attempt to cowl that up,” says Mary Queen of Scots director Josie Rourke. “Do you’re feeling assured sufficient to enter a gathering when you’ve received a big blemish in your face? You possibly can actually really feel her braveness in actually gathering herself again collectively once more and discovering the braveness to stroll into these rooms.”
Robbie additionally notes that the make-up finally grew to become a part of Elizabeth’s brutally self-disciplined persona.
For extra on Mary Queen of Scots, choose up the most recent concern of PEOPLE, on stands Friday
“We’re left with this mask-like model of an individual, who’s now not an individual by the top, however a throne and a illustration of energy in a rustic,” she says. “I cherished that she form of constructed the masks for herself after which was inherently trapped by it.”
Mary Queen of Scots hits theaters Friday.